These are the proceedings of the 21st New Interfaces for Musical Expression (NIME) 2021 conference, organized by NYU Shanghai, and held in Shanghai as well as online around the world. We are honored as paper chairs to present a fine collection of papers documenting current thought and recent research in the intersections of music, computing, design, interactive systems and technology.
The theme for this year’s conference is “Learning to play, playing to learn.” Even before computing, instrument design has contended with tension between ease-of-use and expressivity. A violin with frets might be easier for beginners, but would not be same in the hands of a master violinist. Learning and usability have always been central issues for NIME researchers. The word “play” of course has many meanings, and it is interesting that even professional music “workers” are paid to “play” music. The concept of play in all its forms is important for motivation and engagement in learning. Finally, we can hardly think about learning these days without considering machine learning, which is now pervasive in computing fields, including music. Machine learning seems destined to play an important role in addressing expressiveness, usability, and the general design and creation of future music interfaces and systems. Although we did not select papers with this theme as a requirement, you will see many of these ideas surface throughout the proceedings.
Our review process followed the double-blind process used in previous NIME conferences. This year, there were 156 submissions. Each paper received 3 reviews. After that, meta-reviewers were invited to give their own review and to consolidate the other reviews to form a recommendation. As chairs, we followed these recommendations for the most part, but we also looked for discrepancies in opinions, read many papers and reviews and carefully considered submissions when the decision was not obvious. In the end, we have 72 papers (49 full papers and 23 short) for a 46% acceptance rate. There are also 16 demonstrations and associated papers. Counting these, we accepted 56% of the submissions in some form.
This year, we initiated a special program to help authors with writing and editing. We take pride in the fact that our community includes artists, builders, creators and entrepreneurs as well as students who have much to contribute but are not necessarily experienced in academic writing. We also enjoy participants from around the world, even though our publication language is English. We provisionally accepted 8 papers that would have been rejected due to writing problems, and we paired their authors with volunteer editors. Through this process, authors were able to improve their papers, and ultimately we accepted all 8 revised papers.
We would like to thank the many reviewers for their efforts. The conference quality depends upon these volunteer efforts, and we believe the quality of this publication is greatly improved through the constructive feedback of reviewers. We also thank the meta-reviewers, who played a special role, not only reviewing but helping to resolve conflicting reviews and assisting us to make final decisions. Finally, we want to thank the general co-chairs Gus Xia and Margaret Minsky for much support, and the proceedings production team Daniel Chin and Jingwei Zhao, who took on the enormous job of compiling hundreds of documents to create the conference proceedings, online posters and videos, and presentation schedule.
Federico Avanzini
Florent Berthaut
Frederic Bevilacqua
Ivica Bukvic
Baptiste Caramiaux
Luke Dahl
Palle Dahlstedt
Cumhur Erkut
Georg Essl
Henry Gardner
Emilien Ghomi
Michael Gurevich
Rob Hamilton
Lauren Hayes
Alexander Refsum Jensenius
Andrew Johnston
Sergi Jordà
Rebecca Kleinberger
Sasha Leitman
Michael Lyons
Otso Lähdeoja
John MacCallum
Joseph Malloch
Adnan Marquez-Borbon
Charles Martin
Romain Michon
Tom Mitchell
Fabio Morreale
Dan Overholt
Marcelo Queiroz
Stefania Serafin
Tamara Smyth
Koray Tahiroğlu
Luca Turchet
Akito Van Troyer
Gualtiero Volpe
Anna Xambó
Victor Zappi
Michael Zbyszynski
Timothy Adnitt
Ximena Alarcón
Christophe d'Alessandro
Vaios Amprazis
Robert Appleton
Jack Armitage
Sofian Audry
Juan Martinez Avila
Andreas Bergsland
Gilberto Bernardes
Dario Bertero
Francesco Bigoni
Alberto Boem
Nicolas Bouillot
Oliver Bown
Courtney Brown
Carolina Brum
Grigore Burloiu
Peter Bussigel
Andres Cabrera
Laddy Cadavid
Filipe Calegario
Anıl Çamcı
Olivier Capra
Matthew Caren
Kristin Carlson
Juan Pablo Carrascal
Doga Cavdir
Daniel Chin
Patrick Chwalek
Henrik von Coler
Perry Cook
Gregory Corness
James Correa
Tom Davis
Edmund Dervakos
Zhiyao Duan
Paul Dunham
Mark Durham
Arne Eigenfeldt
Cagri Erdem
Jonathan Ericson
Stefano Fasciani
Lainie Fefferman
Mark Feldmeier
Sidney Fels
Giorgos Filandrianos
Sands Fish
Federico Fontana
Angus Forbes
Corey Ford
Christian Frisson
Andreas Förster
Benedict Gaster
Silvie Gibet
Niccolò Granieri
John Granzow
Shawn Greenlee
Laurent Grisoni
Carlos Guedes
Andrea Guidi
Kerry Hagan
Fede Cámara Halac
Yoon Chung Han
Yoonchang Han
Lamtharn Hantrakul
Jiffer Harriman
Jacob Harrison
Akiko Hatakeyama
Adrian Hazzard
Jingyin He
Florian Heller
Mara Helmuth
Alex Hofmann
Ulf A. S. Holbrook
Quinn Jarvis Holland
Aurie Hsu
Timothy Hsu
Hanlin Hu
Samuel Hunt
Nick Hwang
Yuma Ikawa
Alon Ilsar
Robert Jack
Javier Jaimovich
Kazuhiro Jo
Bridget Johnson
Woohun Joo
Gretchen Jude
Stefano Kalonaris
Haruhiro Katayose
Tejaswinee Kelkar
Steven Kemper
Chris Kiefer
Nick Bryan Kinns
Shelly Knotts
Natalia Kotsani
Marinos Koutsomichalis
Kosmas Kritsis
Michael Krzyzaniak
Qichao Lan
Caroline Larboulette
Sang Won Lee
Hans Leeuw
Sang-won Leigh
Nolan Lem
James Leonard
Robert Lieck
Cort Lippe
Wanyu Liu
Alex Lucas
Vangelis Lympouridis
Eric Lyon
Alex MacLean
Esteban Maestre
Milad Khosravi Mardakheh
Emma Margetson
Andrea Martelloni
Raul Masu
Akihiro Matsuura
Davide Andrea Mauro
Brian Mayton
Jon McCormack
Andrew McPherson
Alex Mclean
Adam Pultz Melbye
Lia Mice
Alessia Milo
Chase Mitchusson
Stefano Delle Monache
Stephan Moore
Manoli Moriaty
Giulio Moro
Matthew Mosher
Jim Murphy
Max Neupert
Hiroki Nishino
Erik Nystrom
Benjamin O'Brien
David Ogborn
Sageev Oore
Miguel Ortiz
Reyes Oteo
Jason Palamara
Joseph Paradiso
Laurel Pardue
Sihwa Park
William Payne
Andrew Piepenbrink
Juan Pablo Yepez Placencia
Richard Polfreman
Laurent Pottier
Virginia de las Pozas
Robert Pritchard
Crystal Quartez
David Ramsay
Laura Reid
Harri Renney
Charlie Roberts
Gerard Roma
Robert Rowe
Diana Salazar
Victor Gonzalez Sanchez
Giovanni Santini
Mark Santolucito
Disha Sardana
Advait Sarkar
Yann Savoye
Carla Scaletti
Marius Schebella
Margaret Schedel
Flávio Schiavoni
Dominik Schlienger-Tuomi
Franziska Schroeder
Diemo Schwarz
Hugo Scurto
Seth Shafer
Tim Shaw
Eric Sheffield
Carlos Silla
Sara Sithi-Amnuai
Diana Siwiak
Jeffrey Snyder
Giorgos Stamou
Jeffrey Stolet
Jiri Suchanek
John Sullivan
Enrique Tomás
Jim Torresen
João Tragtenberg
Kyriakos Tsoukalas
George Tzanetakis
Gwendal Le Vaillant
Jens Vetter
Matias Vilaplana
Federico Visi
Erica Volta
Ruolun WENG
Graham Wakefield
Maarten van Walstijn
Ge Wang
Johnty Wang
Lusi Wang
Clemens Wegener
Anna Weisling
Travis West
Irmandy Wicaksono
Duncan Williams
Jiayue Wu
Vanessa Yaremchuk
Yongjae Yoo
Ji Won Yoon
Mo Zareei
Ziyue Piao
Qinying Lei
Zehao Wang
Yian Zhang
Yinmiao Li
Jingwei Zhao
Daniel Chin
Alan (Lechen) Yao
Junyan Jiang
Ziyu Wang
Albert Han
Bespoke Anywhere
Benedict Gaster, Ryan Challinor
https://nime.pubpub.org/pub/8jaqbl7m
Reverse-Engineering The Transition Regions of Real-World DJ Mixes using Sub-band Analysis with Convex Optimization
Taejun Kim, Yi-Hsuan Yang, Juhan Nam
https://nime.pubpub.org/pub/g7avj1a7
Tune Field: A Novel Antenna Based Controller for Musical Expression
Guadalupe Babio Fernandez, Kent Larson
https://nime.pubpub.org/pub/eqvxspw3
Nerve Sensors in Inclusive Musical Performance
Lloyd May
https://nime.pubpub.org/pub/yxcp36ii
Hybridization No. 1: Standing at the Boundary between Physical and Virtual Space
Milton Riaño, Milton Riaño
https://nime.pubpub.org/pub/h1
Evaluation of Timbre-Based Control of a Parametric Synthesizer
Jeffrey Gregorio, Youngmoo Kim
https://nime.pubpub.org/pub/adtb2zl5
Debris: A playful interface for direct manipulation of audio waveforms
Frederic A Robinson
https://nime.pubpub.org/pub/xn761337
Investigation of a Novel Shape Sensor for Musical Expression
Alex Champagne, Robert Pritchard, Paul Dietz, Sidney Fels
https://nime.pubpub.org/pub/bu2jb1d6
AI-terity 2.0: An Autonomous NIME Featuring GANSpaceSynth Deep Learning Model
Koray Tahiroğlu, Miranda Kastemaa, Oskar Koli
https://nime.pubpub.org/pub/9zu49nu5
RhumbLine: Plectrohyla Exquisita — Spatial Listening of Zoomorphic Musical Robots
Brian D. Smith, Margaret Schedel
https://nime.pubpub.org/pub/f5jtuy87
Using a Pursuit Tracking Task to Compare Continuous Control of Various NIME Sensors
Michael V Blandino, Edgar Berdahl
https://nime.pubpub.org/pub/using-a-pursuit-tracking-task-to-compare-continuous-control-of-various-nime-sensors
Synthetic Erudition Assist Lattice
Sofya Yuditskaya, Sophia Sun, Margaret Schedel
https://nime.pubpub.org/pub/5oupvoun
On Parallel Performance Practices: some observations on personalizing DMIs as percussionists
Timothy Roth, Aiyun Huang, Tyler Cunningham
https://nime.pubpub.org/pub/226jlaug
Gambiarra and Techno-Vernacular Creativity in NIME Research
João Tragtenberg, GG Albuquerque, Filipe Calegario
https://nime.pubpub.org/pub/aqm27581
Emergent Polyrhythmic Patterns with a Neuromorph Electronic Network
Christian Faubel
https://nime.pubpub.org/pub/g04egsqn
Human noise at the fingertip: Positional (non)control under varying haptic × musical conditions
Staas de Jong
https://nime.pubpub.org/pub/bol2r7nr
Instrument Design for The Furies: A LaptOpera
Anne K Hege, Ge Wang, Camille Noufi, Elena Georgieva
https://nime.pubpub.org/pub/gx6klqui
GIVME (Guided Interactions in Virtual Musical Environments):
Damian B Mills, Franziska Schroeder, "John DArcy"
https://nime.pubpub.org/pub/h14o4oit
Design of Hathaani - A Robotic Violinist for Carnatic Music
Raghavasimhan Sankaranarayanan, Gil Weinberg
https://nime.pubpub.org/pub/225tmviw
A Compositional Exploration of Computational Aesthetic Evaluation and AI Bias
Artemi-Maria Gioti
https://nime.pubpub.org/pub/zpvgmv74
Canons for Conlon: Composing and Performing Multiple Tempi on the Web
Roger Dannenberg
https://nime.pubpub.org/pub/jxo0v8r7
A streamlined workflow from Max/gen~ to modular hardware
Graham Wakefield
https://nime.pubpub.org/pub/0u3ruj23
Latent Mappings: Generating open-ended expressive mappings using Variational Autoencoders
Tim Murray-Browne, Panagiotis Tigas
https://nime.pubpub.org/pub/latent-mappings
Improvised Sound-Making within Musical Apprenticeship and Enactivism: An Intersection between the 4E`s Model and DMIs
Isabela Corintha, Giordano Cabral
https://nime.pubpub.org/pub/e4lsrn6c
Interaction Taxonomy for Sequencer-Based Music Performances
Stefan Püst, Lena Gieseke, Angela Brennecke
https://nime.pubpub.org/pub/gq2ukghi
The Rullen Band- Inclusive Musical Instruments Made for Playing Together
Maria Svahn, Josefine Hölling, Fanny Curtsson, Nina Nokelainen
https://nime.pubpub.org/pub/pvd6davm
The Timbre Explorer: A Synthesizer Interface for Educational Purposes and Perceptual Studies
Joshua Ryan G Lam, Charalampos Saitis
https://nime.pubpub.org/pub/q5oc20wg
Wireless Sound Modules
Vivian Lydia Dajana Reuter, Lorenz Schwarz
https://nime.pubpub.org/pub/muvvx0y5
Amstramgrame: Making Scientific Concepts More Tangible Through Music Technology at School
Romain Michon, Catinca Dumitrascu, Sandrine Chudet, Yann Orlarey, Stéphane Letz, Dominique Fober
https://nime.pubpub.org/pub/3zeala6v
Score-Transformer: A Deep Learning Aid for Music Composition
Jeffrey A. T. Lupker
https://nime.pubpub.org/pub/7a6ij1ak
CHILLER: a Computer Human Interface for the Live Labeling of Emotional Responses
Claire Pelofi, Michal N Goldstein, Dana Bevilacqua, Michael McPhee, Ellie Abrams, Pablo Ripollés
https://nime.pubpub.org/pub/kdahf9fq
Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum
Matthew Skarha, Vincent Cusson, Christian Frisson, Marcelo Wanderley
https://nime.pubpub.org/pub/uh1zfz1f
Cross-Pollinating Ecological Perspectives in ADMI Design and Evaluation
Alex Lucas, Jacob Harrison, Franziska Schroeder, Miguel Ortiz
https://nime.pubpub.org/pub/d72sylsq
The Effect of Control-Display Ratio on User Experience in Immersive Virtual Musical Instruments
Vincent Reynaert, Florent Berthaut, Yosra Rekik, Laurent Grisoni
https://nime.pubpub.org/pub/8n8br4cc
Self-resonating Vibrotactile Feedback Instruments ||: Making, Playing, Conceptualising :||
Alice Eldridge, Chris Kiefer, Dan Overholt, Halldor A Ulfarsson
https://nime.pubpub.org/pub/6mhrjiqt
A Visualization Tool to Explore Interactive Sound Installations
Valérian Fraisse, Catherine Guastavino, Marcelo Wanderley
https://nime.pubpub.org/pub/i1rx1t2e
HASGS: Five Years of Reduced Augmented Evolution
Henrique Portovedo, Paulo Ferreira Lopes, Ricardo Mendes, Tiago Gala
https://nime.pubpub.org/pub/1293exfw
Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance
Geise Santos, Johnty Wang, Carolina Medeiros, Marcelo Wanderley, Tiago Tavares, Anderson Rocha
https://nime.pubpub.org/pub/wmcqkvw1
Sensitiv – Designing a Sonic Co-play Tool for Interactive Dance
Lisa Andersson López, Thelma Svenns, Andre Holzapfel
https://nime.pubpub.org/pub/y1y5jolp
Quadrant: A Multichannel, Time-of-Flight Based Hand Tracking Interface for Computer Music
Chris Chronopoulos
https://nime.pubpub.org/pub/quadrant
Designing and performing with Pandora's Box: transforming feedback physically and with algorithms
Ward J Slager
https://nime.pubpub.org/pub/kx6d0553
Mono-Replay : a software tool for digitized sounds animation
Thomas Lucas, "Christophe dAlessandro", Serge de Laubier
https://nime.pubpub.org/pub/8lqitvvq
Ripples: An Auditory Augmented Reality iOS Application for the Atlanta Botanical Garden
Yi Wu, Jason Freeman
https://nime.pubpub.org/pub/n1o19efr
Toneblocks: Block-based musical programming
Michael Quigley, William C Payne
https://nime.pubpub.org/pub/qn6lqnzx
An Infinitely Sustaining Piano Achieved Through a Soundboard-Mounted Shaker
William A Thompson, Edgar Berdahl
https://nime.pubpub.org/pub/cde9r70r
Speculātor: visual soundscape augmentation of natural environments
Nathan D Villicana-Shaw, Dale Carnegie, Jim Murphy, Mo Zareei
https://nime.pubpub.org/pub/pxr0grnk
Living Sounds: Live Nature Sound as Online Performance Space
Gershon Dublon, Xin Liu
https://nime.pubpub.org/pub/46by9xxn
COSMIC: A Conversational Interface for Human-AI Music Co-Creation
Yixiao Zhang, Gus Xia, Mark Levy, Simon Dixon
https://nime.pubpub.org/pub/in6wsc9t
Live Coding With the Cloud and a Virtual Agent
Anna Xambó, Gerard Roma, Sam Roig, Eduard Solaz
https://nime.pubpub.org/pub/zpdgg2fg
Virtuoso mapping for the Electrumpet, a hyperinstrument strategy
Hans Leeuw
https://nime.pubpub.org/pub/fxe52ym6
Spire Muse: A Virtual Musical Partner for Creative Brainstorming
Notto J. W. Thelle, Philippe Pasquier
https://nime.pubpub.org/pub/wcj8sjee
Entangled: A Multi-Modal, Multi-User Interactive Instrument in Virtual 3D Space Using the Smartphone for Gesture Control
Myungin Lee
https://nime.pubpub.org/pub/4gt8wiy0
Algorithmic Power Ballads
Shelly Knotts
https://nime.pubpub.org/pub/w2ubqkv4
Interpolating Audio and Haptic Control Spaces
Juliette Regimbal, Marcelo Wanderley
https://nime.pubpub.org/pub/zd2z1evu
Sounds of Futures Passed: Media Archaeology and Design Fiction as a NIME Methodologies
Derek Holzer, Henrik Frisk, Andre Holzapfel
https://nime.pubpub.org/pub/200fpd5a
Transformer Neural Networks for Automated Rhythm Generation
Thomas G Nuttall, Behzad Haki, Sergi Jordà
https://nime.pubpub.org/pub/8947fhly
Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design
Andrea Martelloni, Andrew McPherson, Mathieu Barthet
https://nime.pubpub.org/pub/zgj85mzv
Making Mappings: Design Criteria for Live Performance
Travis J West, Stéphane Huot, Marcelo Wanderley, Baptiste Caramiaux
https://nime.pubpub.org/pub/f1ueovwv
Music Computing and Computational Thinking: A Case Study
Kyriakos Tsoukalas, Ivica Ico Bukvic
https://nime.pubpub.org/pub/t94aq9rf
SoftMRP: a Software Emulation of the Magnetic Resonator Piano
Jonathan Pitkin
https://nime.pubpub.org/pub/m9nhdm0p
Re-Imagining (Accessible) Digital Musical Instruments: A Survey on Electronic Music-Making Tools
Emma Frid, Alon A Ilsar
https://nime.pubpub.org/pub/reimaginingadmis
The Body Electric: A NIME designed through and with the somatic experience of singing
Kelsey I Cotton, Pedro Sanches, Vasiliki Tsaknaki, Pavel Karpashevich
https://nime.pubpub.org/pub/ntm5kbux
DMI Apprenticeship: Sharing and Replicating Musical Artefacts
Luis Zayas Garin, Jacob Harrison, Robert Jack, Andrew McPherson
https://nime.pubpub.org/pub/dmiapprenticeship
Global Hyperorgan: a platform for telematic musicking and research
Randall Harlow, Mattias Petersson, Robert Ek, Federico Visi, Stefan Östersjö
https://nime.pubpub.org/pub/a626cbqh
NIME and the Environment: Toward a More Sustainable NIME Practice
Raul Masu, Adam Pultz Melbye, John Sullivan, Alexander Refsum Jensenius
https://nime.pubpub.org/pub/4bbl5lod
Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces
Enrique Tomás, Thomas Gorbach, Hilda Tellioğlu, Martin Kaltenbrunner
https://nime.pubpub.org/pub/gsx1wqt5
Grisey’s 'Talea': Musical Representation As An Interactive 3D Map
Anne Sophie Andersen, Derek Kwan
https://nime.pubpub.org/pub/oiwz8bb7
Changing GEAR: The Girls Electronic Arts Retreat's Teaching Interfaces for Musical Expression
Abby Aresty, Rachel Gibson
https://nime.pubpub.org/pub/8lop0zj4
Musical Exploration of Volumetric Textures in Mixed and Virtual Reality
Florent Berthaut
https://nime.pubpub.org/pub/sqceyucq
A Wearable Haptic Interface for Breath Guidance in Vocal Training
Yinmiao Li, Ziyue Piao, Gus Xia
https://nime.pubpub.org/pub/cgi7t0ta
Creativity in Children's Digital Music Composition
Corey J Ford, Nick Bryan-Kinns, Chris Nash
https://nime.pubpub.org/pub/ker5w948
TouchGrid – Combining Touch Interaction with Musical Grid Interfaces
Beat Rossmy, Alexander Wiethoff
https://nime.pubpub.org/pub/touchgrid
Musical Grid Interfaces: Past, Present, and Future Directions
Beat Rossmy, Alexander Wiethoff
https://nime.pubpub.org/pub/grid-past-present-future
Hyper-hybrid Flute: Simulating and Augmenting How Breath Affects Octave and Microtone
Daniel Chin, Yian Zhang, Gus Xia
https://nime.pubpub.org/pub/eshr
Reactive Video: Movement Sonification as Auditory Feedback for Supporting Physical Activity
Doga Cavdir, Christopher Clarke, Patrick Chiu, Laurent Denoue, Don Kimber
https://nime.pubpub.org/pub/dzlsifz6
The T-Stick Music Creation Project: An approach to building a creative community around a DMI
Takuto Fukuda, Eduardo Meneses, Travis J West, Marcelo Wanderley
https://nime.pubpub.org/pub/7c4qdj4u
Embracing Less Common Evaluation Strategies for Studying User Experience in NIME
P J Charles Reimer, Marcelo Wanderley
https://nime.pubpub.org/pub/fidgs435
MapLooper: Live-looping of distributed gesture-to-sound mappings
Christian Frisson, Mathias Bredholt, Joseph Malloch, Marcelo Wanderley
https://nime.pubpub.org/pub/2pqbusk7
NIME Scores: a Systematic Review of How Scores Have Shaped Performance Ecologies in NIME
Raul Masu, Nuno N. Correia, Teresa Romão
https://nime.pubpub.org/pub/41cj1pyt
A Study on Learning Advanced Skills on Co-Playable Robotic Instruments
Sang-won Leigh, Jeonghyun (Jonna) Lee
https://nime.pubpub.org/pub/h5dqsvpm
Discourse is critical: Towards a collaborative NIME history
S. M. Astrid Bin
https://nime.pubpub.org/pub/nbrrk8ll
Click::RAND#2. An Indeterminate Sound Sculpture
Paul Dunham, Mo Zareei, Dale Carnegie, Dugal McKinnon
https://nime.pubpub.org/pub/lac4s48h
What to Play and How to Play it: Guiding Generative Music Models with Multiple Demonstrations
Jon Gillick, David Bamman
https://nime.pubpub.org/pub/s3x60926
A Yellow Box with a Key Switch and a 1/4" TRS Balanced Audio Output
Marinos Koutsomichalis
https://nime.pubpub.org/pub/n69uznd4
Documentation and Replicability in the NIME Community
Filipe Calegario, Christian Frisson, João Tragtenberg, Eduardo Meneses, Joseph Malloch, Vincent Cusson, Marcelo Wanderley
https://nime.pubpub.org/pub/czq0nt9i
LoopBlocks: Design and Preliminary Evaluation of an Accessible Tangible Musical Step Sequencer
Andreas Förster, Mathias Komesker
https://nime.pubpub.org/pub/bj2w1gdx
Aeolis: A Virtual Instrument Producing Pitched Tones With Soundscape Timbres
Lior Arbel
https://nime.pubpub.org/pub/c3w33wya
20 NIMEs: Twenty Years of New Interfaces for Musical Expression
Stefano Fasciani, Jackson Goode
https://nime.pubpub.org/pub/20nimes